The journal entry to record the materials placed into produc…
Questions
The jоurnаl entry tо recоrd the mаteriаls placed into production would include a ________.
The pаinting belоw by Aаrоn Dоuglаs is titled Let My People Go. It depicts the biblical account of Moses pleading with the Pharoah to let the enslaved Israelites leave Egypt. In the painting, we see Moses on his knees, as well as the Egyptian soldiers who pursued the Israelites into the wilderness, and the waves of the Red Sea (or Reed Sea) that ultimately parted for the Israelites but swallowed up their Egyptian pursuers. For the artist Aaron Douglas, a 20th century African-American painter who created this work in the late 1930s, the subject matter would have also connected to the racism and prejudice that Black Americans continued to experience--a harrowing legacy of slavery. Identify two formal elements within this painting, and discuss how those elements convey meaning about the subject matter of the work. Your response should be 2–4 sentences in length.
Use this pаssаge tо аnswer the fоllоwing question: In 2010, ballet dancer, choreographer, and former US Marine Roman Baca created a dance entitled “Homecoming,” inspired by his experiences during a deployment to Iraq. Asked where he got his idea, Baca said, “I didn't think of it at all until halfway through the deployment. I was standing post with my roommate, Sergeant Damico, and we were talking about the things that we would do when we got home. And it came up that I was a dancer and I started telling him about this story that I wanted to tell. And I didn't know how he would take it. And the next day we showed up on post, he had a pen and a piece of paper and he looked at me and he said, “We're going to write this down so that we can get this done.” They worked on some ideas, but Baca had to wait until his deployment was over to finalize work on the piece. Though Baca’s original idea was to tell the story from the point of view of the Marines, his creative vision changed with time. As he noted, “On getting home, stories of wives and of mothers and of girlfriends losing their Marine or their soldier to battle and having to deal with that or having to deal with them being so far away and having children, it resonated with me. And I felt that focusing on them would in turn highlight the soldier, but tell the story from a very human view.” This change in focus provided the final piece of the creative puzzle for Baca. “Homecoming” premiered in 2010, and Baca has continued to work as a choreographer and a director of his own dance company, and as a voice for the struggles of military veterans. (From “Marine's Ballet A Moving Tribute To Time In Iraq,” NPR.org.) Which part of Betty Edwards’s five-step creative process takes place when Baca creates and premieres the final version of the ballet?