Select the answer correctly describing the control of uterin…

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Select the аnswer cоrrectly describing the cоntrоl of uterine cleаrаnce in the mare:

DIRECTIONS: Chооse the best аnswer fоr eаch question.The Visuаl Village[A] Before the age of the smartphone, aspiring photographers had to learn how to use high-tech cameras and photographic techniques. Not everyone had cameras, and it took skill and a good eye to capture and create a great photograph. Today, with the huge range of camera apps on our smartphones, we are all amateur photographers. And pretty good ones, too: The quality of smartphone images now nearly equals that of digital cameras.[B] The new ease of photography has given us a tremendous appetite for capturing the magical and the ordinary. We are obsessed with documenting everyday moments, whether it's a shot of our breakfast, our cat - or the cat's breakfast. And rather than collect pictures in scrapbooks, we share, like, and comment on them with friends and strangers around the globe. [C] Even photojournalists are experimenting with cell phones because their near invisibility makes it easier to capture unguarded moments.1 The Internet also allows photojournalists to avoid traditional media.They can now act as their own publishers - reaching huge audiences via social media sites such as Instagram. A photograph taken in New York can get a response from someone in Lagos within a second of being uploaded.[D] In the past, magazines published unforgettable photos of important people and global events that captured our imaginations. These photos had the power to change public opinion - even the course of history. But if there are fewer memorable images today, it's not because there are fewer good images: It's because there are so many. No one image gets to be special for long.[E] Cameras are everywhere - a situation that is transforming the way we experience dramatic events. When there are major political events or natural disasters, it is ordinary citizens with cell phones - not photojournalists - who often provide the first news images. Quality still matters, but it's less important than what's instantly shared.[F] As people everywhere embrace photography and the media make use of citizen journalists, professional standards appear to be shifting. In the past, most people trusted photojournalists to accurately represent reality. Today, however, digital images can be altered in ways the naked eye might never notice. Any image can be altered to create an "improved" picture of reality. The average viewer is left with no way to assess the accuracy of an image except through trust in a news organization or photographer.[G] The question of the accuracy of images gets even trickier when photojournalists start experimenting with camera apps - like Flickr or Instagram - which encourage the use of filters. Images can be colored, brightened, faded, and scratched to make photographs more artistic, or to give them an antique look. Photojournalists using camera apps to cover wars and conflicts have created powerful images - but also controversy. Critics worry that antique-looking photographs romanticize war, while distancing us from those who fight in them.[H] Yet, photography has always been more subjective than we assume. Each picture is a result of a series of decisions - where to stand, what lens2 to use, and what to leave in or out of the frame. Does altering photographs with camera app filters make them less true?[I] There's something powerful and exciting about the experiment that the digital age has forced upon us. These new tools make it easier to tell our own stories, and they give others the power to do the same. Many members of the media get stuck on the same stories, focusing on elections, governments, wars, and disasters. In the process, they miss out on the less dramatic images of daily life that can be just as revealing and relevant.[J] The increase in the number of photographs and photographers might even be good for democracy itself. Hundreds of millions of potential citizen journalists make the world smaller and help keep leaders honest. People can now show what they are up against, making it increasingly difficult for governments to hide their actions. If everyone has a camera, Big Brother3 isn't the only one watching.[K] Who knows? Our obsession with documentation and constantly being connected could lead to a radical change in our way of being. Perhaps we are witnessing the development of a universal visual language. It's one that could change the way we relate to each other and the world. Of course, as with any language, there will be those who produce poetry and those who make shopping lists.[L] It's not clear whether this flowering of image-making will lead to a public that betterappreciates and understands images. Or will it simply numb4 us to the profound effects awell-made image can have? Regardless, the change is irreversible. Let's hope the millionsof new photographs made today help us see what we all have in common, rather than what sets us apart.1 Something done in an unguarded moment is done when you think no one is watching.2 A lens is a thin, curved piece of glass or plastic used in things such as cameras.3 Big Brother refers to a person or organization exercising total control over people's lives; the phrase originates from George Orwell's novel 1984.4 If an event or experience numbs you, you are not able to feel any emotions or think clearly. Which of the following is NOT mentioned as the subject of a photograph?

DIRECTIONS: Chооse the best аnswer fоr eаch question.An Interview with Michаel YamashitaQ: Is it true that before becoming a photographer, you were an English teacher?[A] Yeah, I spent four years in Japan in the early '70s, and two of those years I was teaching. There was a huge demand in Japan for English. The Japanese studied English at school, but didn't speak much English, so as a native speaker I could help out. It was a great job. [B] I was in Japan at the time to get in touch with my roots, trying to see how Japanese I might be. Growing up in the States with a Japanese name and face, I really never felt 100 percent American because I didn't look like the American majority. We were the only Asian family in the town where I lived. So, after studying history in the States, I decided to go to Japan and have the experience of living there.Q: Did you know any Japanese before you went there?[C] No. I learned the hard way, which was ... working in a company where nobody spoke English. In the beginning, it was tough. The only things I knew were the names of food, since I grew up with Japanese food. Q: And it was in Japan that you bought your first camera. Is that right?[D] I did. Like every amateur, I bought a camera to essentially record what I was seeing and doing, to send pictures back to family and friends. I spent some time learning about it, and I just got really obsessed by the whole process.[E] The more I got into photography, the more I loved it. Every few months I left Japan to renew my visa, and so I went to a different country each time, taking pictures just to show friends and family. As my pictures got better, people told me I should show them to other photographers. Eventually, I met an agent and decided I wanted to be a professional.Q: As a professional photographer, what would you say makes a good photograph?[F] In the case of National Geographic magazine, I like to call them "page stoppers." They are pictures with such great visual impact that the viewer has to stop turning the pages. You're arrested by the framing, the light, the color, or the subject, and you stare at it. Then you're likely to read the captions2 and be drawn into reading the whole story. For me, that is an ideal picture.Q: For photographing a project like Basho's Trail, how much planning is involved?[G] I prepare as much as I can. I read about six different translations of Basho's book, Narrow Road to the Deep North. I thought about what happened on each section of the route: where he talks about the banana leaf, and where on the Mogami River he wrote a poem about swift1 water.[H] So, certain things I was looking for, but others were not so place-specific. Basho mentions the moon many times, so I knew I had to do a moon picture, which sounds easy. But the moon is only full once a month, and the sky may be cloudy. Or, if the moon is rising too early, or too late, I wouldn't be able to see it. But I try my best to be in the right place to get the right subject at the right time.Q: Were there other important moments you remember while doing that article?[I] Well, there's that frog photo. It was in summer the first week I was there. I was shooting some banana leaves under the roof of a Japanese temple. It was pouring rain, and it was beautiful. As I was walking back to the car, I looked down into this little pond and saw a frog sitting on a leaf. So, my job was to get a good picture of it.[J] I started out shooting from the land, but the shot wasn't quite right. Then I got into the water. I was up to my waist in this smelly temple pond, early in the morning, concentrating on a frog and thinking "Thank God the caretakers3 of the temple haven't arrived yet!" I managed to anticipate the moment just before it was ready to jump, and that's when I took the photo. You'll see that the frog is just about to turn to its right, and in the next picture, it was flying.Q: Finally, what do you think it takes to become a great photographer?[K] Well, there is not that much economic motivation, considering the difficulty of selling pictures and getting in the door. What it takes is basically passion; you have to be really obsessed by your craft. Especially today, with the competition being what it is, to be a success you really have to eat and drink photography. It's passion that drives you forward.1 If something is swift, it is quick and rapid.2 A caption is an explanation written next to a photo.3 A caretaker is a person who takes care of some property. Which of the following would Yamashita probably agree with?

DIRECTIONS: Reаd eаch sentence, pаying attentiоn tо the underlined wоrds. Decide if the use of the word in each sentence makes the statement True (T) or False (F). Candy usually has more nutritional value than fruits and vegetables.