You are a manager at a tech startup. You’ve plotted the resp…

You are a manager at a tech startup. You’ve plotted the response times (in hours) for your support team over the last month to understand how quickly tickets are being closed. Looking at the boxplot above, which section of the plot represents the range where the middle 50% of all response times fall, and what is the specific name for the width of that “box”?

The reading mentions that an intended effect of creative wri…

The reading mentions that an intended effect of creative writing can be “catharsis” or “to get their thoughts and feelings out and onto paper.” In what way is this purpose a “private” one, and how does that purpose change if the writer is prepared to “share your narratives with your teacher and potentially classmates”? The private purpose of catharsis does not change when the narrative is shared. It is still a private act, but it can also be a public one, with both purposes simultaneously. The purpose of creative writing as a cathartic outlet is initially private, as it serves the writer’s emotional and mental well-being without an audience. This purpose changes when the shared narrative becomes a “public” act. The writer must then shift their focus to using craft features and specific details to make their personal catharsis relatable and emotionally engaging for an outside reader, as the text recommends for public sharing. A narrative written for catharsis should be shared with a teacher and classmates, but it is still private because the teacher and classmates are part of the writer’s personal life. The purpose of a cathartic narrative is always private and should not be shared with a teacher or classmates, because it is too personal to be judged.

The text advises writers to be truthful about their mistakes…

The text advises writers to be truthful about their mistakes because readers like protagonists who are flawed. What is the rhetorical effect of showing a flawed persona? The rhetorical effect is that the persona becomes less relatable to the reader, as a character’s flaws can make the reader feel judgmental. The rhetorical effect of showing a flawed persona is that the writer can then present a flawed antagonist without seeming biased. It makes the writer more trustworthy, as it suggests they are providing a truthful account of events, which makes the reader more likely to agree with the protagonist. Showing a flawed persona builds trust and credibility with the reader. The text notes that readers will “question your credibility as a narrator” if you seem perfect. By admitting to mistakes and vulnerability, the writer’s depiction feels more truthful and relatable, allowing the reader to emotionally connect with a more human, rather than flawless, protagonist.

The text states that a “narrative can be structured by start…

The text states that a “narrative can be structured by starting in the present and then ‘flashing back’ to a prior, related event.” If you were to apply this to the sample essay “My College Education,” what might the opening sentence be? How would it differ from the current opening? “The first class I went to in college was philosophy, and it changed my life forever.”? A flashback opening would start with the end of the story, such as: ‘And that is how I became a lawyer.’ This would create interest by showing the reader where the story is headed. A flashback opening would not change the opening sentence. The only change would be that the rest of the essay would be written in the present tense to create a different kind of tension. A flashback opening would be a summary of the events that led to the first class, such as: ‘I had always loved math and science, but my first philosophy class would change that.’ A flashback opening might start with a present-day reflection, such as: “As a lawyer, I often think back to the first time a case felt truly impossible, reminding me of an old college assignment.” This sentence hooks the reader with the present-day reality of the character’s career and then sets up the flashback. The current opening is more direct and chronological, immediately beginning the story in the past rather than from the perspective of the present.