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This term is recognized as meaning “rebirth” and refers to the historical period of 1430 to 1600 A.D.

A form of Medieval polyphony where the upper voice moves with the chant in a parallel rhythm and interval before resolving to the chant final tone

The pitch upon which most of the syllables of a chant are sung, generally located above the final.

A musical texture of two or more voices, one voice repeats or simulates the melody of another voice.

The sun’s energy comes from:

(1653-1713) A virtuoso violinist in the Baroque period and composer of early instrumental works which aided in the development of the trio sonata and early solo sonatas. He held court positions and as a composer influenced J. S. Bach’s style and that of Handel.

Singing groups of more than five or six notes for each syllable of text.

12th and 13th century poet/musicians from Southern France

This composer succeeded his uncle at the Cathedral of St. Mark in Venice where they specialized in composing polychoral music for use in the liturgies there.

“Lamb of God,” one of the five texts of the Mass Ordinary.