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Jose is currently age 27 and plans to retire at age 65. His mortality age is 95. What is Jose’s work life expectancy (WLE)?

Max is currently age 32 and plans to retire at age 67. His mortality age is 95. What is Jose’s retirement life expectancy (RLE)?

Now assume that Hunter 1 moves first. That is, Hunter 1 makes a decision, then Hunter 2 observes Hunter 1’s decision and make a decision. Draw the game tree in your scratch notes and check all the subgame perfect Nash equilibria in this game. (The answer can include one or multiple equilibria.)  [Hint: Use Backward induction] 

In the long run, the market equilibrium output (quantity) increases. 

Identify the AUTHOR of the following passage: For intricacy such a knot he had never seen in an American ship, or indeed any other. The old man looked like an Egyptian priest, making Gordian knots for the temple of Ammon. The knot seemed a combination of double-bowline-knot, treble-crown-knot, back-handed-well-knot, knot-in-and-out-knot, and jamming-knot. At last, puzzled to comprehend the meaning of such a knot, [he] addressed the knotter: “What are you knotting there, my man?” “The knot,” was the brief reply, without looking up.

Identify the AUTHOR of the following passage: The morning was one peculiar to that coast. Everything was mute and calm; everything grey. The sea, though undulated into long roods of swells, seemed fixed, and was sleeked at the surface like waved lead that has cooled and set in the smelter’s mould. The sky seemed a grey mantle. Flights of troubled grey fowl, kith and kin with flights of troubled grey vapours among which they were mixed, skimmed low and fitfully over the waters, as swallows over meadows before storms. Shadows present, foreshadowing deeper shadows to come.

Identify the AUTHOR of the following passage: Where identity has suffered under the tribunal of an ‘unclaimed experience’, the ruin has survived as a manifestation of this process, and this unexpected survival underpins the ruin’s radical spectrality. […] In the temporal present, the ruin, in its fleshy and complex materiality, mediates between [appearance and disappearance] simultaneously through its attempt to house and give place to what is essentially an unhomely event.

Identify the CHARACTER depicted in the following passage: The small white-haired boy shambled into the back of the hall and stood peering forward at the stranger. He had on the bottoms to a pair of blue pajamas drawn up as high as they would go, the string tied over his chest and then again, harness-like, around his neck to keep them on. His eyes were slightly sunken beneath his forehead and his cheekbones were lower than they should have been. He stood there, dim and ancient, like a child who had been a child for centuries.

Identify the AUTHOR of the following passage: “Mam? After you . . .” I can’t bring myself to say it, so, I talk around it. Richie moans. “After, where you going to go?” Richie stops and lists. He’s staring up at the window, his face like a shattered plate; Casper barks off in the distance, a series of high yips. Richie rubs is neck. Mam looks at me and startles like a horse: for her, this means her eyelips jump.

Identify the CHARACTER depicted in the following passage: His face was like the face of a sleep-walker who wakes and sees some horror of his dreams take shape before him. After a moment he muttered, “Wait here, deaf,” and turned and went quickly out of the hall. He was barefooted and in his pajamas. He came back almost at once, plugging something into his ear. He had thrust on the black-rimmed glasses and he was sticking a metal box into the waist-band of his pajamas. This was joined by a cord to the plug in his ear. For an instant the boy had the thought that his head ran by electricity.