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All pitches contained in the red box below can best be expressed as a [chord] 7th chord in [position]. (Hint: This piece is in C major, and be sure to consider the lowest sounding pitch when considering inversion.)

When vii07 resolves to i, the root of  vii07 most often steps [direction] to the [note] of the key.

The chord shown below functions as vii07/ V in the key of ____ . (Note: please enter your answer as “X minor,” “Y major,” “Z-flat minor,” or “Q-sharp major.” Be sure to include a dash, if needed, and a space.)

The chord shown below functions as vii07/ VI in the key of ____ . (Note: please enter your answer as “X minor,” “Y major,” “Z-flat minor,” or “Q-sharp major.” Be sure to include a dash, if needed, and a space.)

The chord below could function as any of the following EXCEPT ____ ?   (A) VI7 in the key of C minor (B) II7 in the key of G minor (C) I7 in the key of A-flat major (D) IV7 in the key of E-flat major (E) all of these are possible

Common chord modulations usually occur when two keys are NOT closely related.

The “B” section of the piece below ends with which cadence type?   

The correct spoken name for the chord below is ________ .  

The music below is in the key of  ________ .   

Secondary dominants and secondary leading tone chords can be formed using only pitches found in the prevailing key.