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Extra Credit: You have a print where the whites look dull and the deep blacks look weak. Describe a step-by-step plan (test strip, filter choice, exposure changes) to get strong contrast while still keeping detail in both the light and dark areas.

What was Frederick Scott Archer’s major contribution to photography?

Extra Credit: On your test strip the shadows look rich and full, but the highlights are too dark and losing detail. Explain exactly what you would change next and why.

What type of light meter reads light falling ‘onto’ the subject?  

Extra Credit: You are printing from an overexposed negative that looks very dense. Explain how you would adjust contrast filter, exposure time, and possibly developer time to get a good print from this negative.

Choose the correct listing (IN ORDER!) for a wide angle, normal, and long lens for a 35mm camera.

What is the difference in stops between 3200 ASA film and 25 ASA film?

 The difference between the values of the light and dark areas of the same print is also known as ______________.

Clear or almost Clear frames on your developed film result from ______________ during the exposure of your film. 

Extra Credit: Describe one situation where dodging is the best solution and walk through exactly how you would dodge the print (tool, timing, and movement).