Chapter 3 of the Tao Te Ching says this:  1. Not to value an…

Chapter 3 of the Tao Te Ching says this:  1. Not to value and employ men of superior ability is the way to keep the people from rivalry among themselves; not to prize articles which are difficult to procure is the way to keep them from becoming thieves; not to show them what is likely to excite their desires is the way to keep their minds from disorder.  2. Therefore the sage, in the exercise of his government, empties their minds, fills their bellies, weakens their wills, and strengthens their bones. 3. He constantly (tries to) keep them without knowledge and without desire, and where there are those who have knowledge, to keep them from presuming to act (on it). When there is this abstinence from action, good order is universal. Thesis: Interpret the passage. What does it mean? Is it true? Is it a good way to live?  

Asif Agha (2004) defines a register as “a linguistic reperto…

Asif Agha (2004) defines a register as “a linguistic repertoire that is associated, culture-internally, with particular social practices and with persons who engage in such practices” (24).   Which of the options below is a register? Select all that apply        

Asif Agha (2004) defines a register as “a linguistic reperto…

Asif Agha (2004) defines a register as “a linguistic repertoire that is associated, culture-internally, with particular social practices and with persons who engage in such practices” (24).   Which of the options below is a register? Select all that apply        

In “Anger, Gender, Language Shift, and the Politics of Revel…

In “Anger, Gender, Language Shift, and the Politics of Revelation in a Papua New Guinea Village,” Don Kulick describes gendered language practices in the village of Gapun. Suppose that time has stood still there and nothing has changed. Suppose too that a woman has spontaneously—without any training—begun masterfully using ambagaina nam (men’s house talk). For example, instead of speaking through the genre, kros, which is closely associated with women and coarsely emphasizes emotion and conflict, the woman speaks in more refined ways that minimize conflict and underemphasize emotion.   Which keyword below most precisely describes this shift in this fictional woman’s speaking practices?  

In “Anger, Gender, Language Shift, and the Politics of Revel…

In “Anger, Gender, Language Shift, and the Politics of Revelation in a Papua New Guinea Village,” Don Kulick describes gendered language practices in the village of Gapun. Suppose that time has stood still there and nothing has changed. Suppose too that a woman has spontaneously—without any training—begun masterfully using ambagaina nam (men’s house talk). For example, instead of speaking through the genre, kros, which is closely associated with women and coarsely emphasizes emotion and conflict, the woman speaks in more refined ways that minimize conflict and underemphasize emotion.   Which keyword below most precisely describes this shift in this fictional woman’s speaking practices?  

Chapter 3 of the Tao Te Ching says this:  1. Not to value an…

Chapter 3 of the Tao Te Ching says this:  1. Not to value and employ men of superior ability is the way to keep the people from rivalry among themselves; not to prize articles which are difficult to procure is the way to keep them from becoming thieves; not to show them what is likely to excite their desires is the way to keep their minds from disorder.  2. Therefore the sage, in the exercise of his government, empties their minds, fills their bellies, weakens their wills, and strengthens their bones. 3. He constantly (tries to) keep them without knowledge and without desire, and where there are those who have knowledge, to keep them from presuming to act (on it). When there is this abstinence from action, good order is universal. Thesis: Interpret the passage. What does it mean? Is it true? Is it a good way to live?

Objetivo: Escribir un ensayo narrativo en español en el que…

Objetivo: Escribir un ensayo narrativo en español en el que cuentes un evento histórico como si fuera una historia, incorporando detalles, contexto y elementos narrativos. Extensión: Entre 550 y 700 palabras Requisitos del contenido: Evento histórico. Escoge un evento histórico real (por ejemplo, una guerra, un descubrimiento, una elección presidencial, una crisis, un atentado, una huelga, una protesta o un movimiento que haya tenido un impacto significativo en la sociedad, la política o la historia de un país). Asegúrate de comprender bien lo que ocurrió. Narrador: Escribe en primera persona (yo) o tercera persona. Puedes ser: un personaje histórico, un testigo ficticio, un/a participante en el evento. Elementos narrativos (muy importantes). Tu ensayo debe incluir: Introducción: Presenta el contexto (lugar, tiempo, situación). Desarrollo: Describe los eventos principales en orden lógico. Clímax: El momento más importante o intenso. Conclusión: Explica cómo termina la situación y su impacto. Detalles descriptivos: Usa los cinco sentidos (vista, oído, olfato, tacto, gusto). Describe emociones, ambiente y acciones. Evita solo “contar”; intenta mostrar lo que ocurre. Lenguaje y gramática Usa tiempos del pasado (pretérito e imperfecto). Incluye vocabulario variado y preciso. Usa conectores (por ejemplo: primero, luego, mientras, de repente, finalmente). Revisa: Concordancia, acentuación y ortografía. Consejos: Haz un pequeño esquema antes de escribir. No traduzcas directamente del inglés. Lee tu ensayo en voz alta para revisar errores. Criterios de evaluación. Tu ensayo será evaluado según: Contenido histórico (exactitud y claridad) Organización (estructura narrativa) Uso del idioma (gramática y vocabulario) Creatividad y descripción Cumplimiento de la extensión