Author: Anonymous

The artistic convention used to depict the Seated Scribe wou…

The artistic convention used to depict the Seated Scribe would be calledLouvre, Paris His skin is light brown. His hair is like a black cap over narrow ears. His eyes are outlined in black and the pupils are also painted black. His thin lips are closed in a faint suggestion of a smile. He has high cheekbones and a wide jaw. His shoulders are squared, and his chest and belly sag a bit. In his lap, one hand holds the rolled end of a sheet of papyrus. The pointer finger and thumb of the other hand touch, as if holding a writing implement. A white cloth stretches across his thighs, and his feet are tucked tightly under his folded legs.

The gold halos, body postures, and facial features in this w…

The gold halos, body postures, and facial features in this work help identify it asImage by Erich Lessing/ART RESOURCE, N.Y. The people and two winged angels behind them have light skin, large eyes, and oval faces. Together they fill the composition, and they all face us. The woman’s dark royal-blue cloak covers her head and wraps around her body. The child sitting on her lap has blond hair and wears a goldenrod-yellow garment. Both men wear long robes and hold gold crosses in front of their chests. To our left, a man with dark hair and a pointed beard wears a white cloak over a clay-brown robe. To our right, a cleanshaven, blond man wears a carnation-pink cloak over a white robe. He looks at us; the other man looks to our left, and the woman to our right. Behind this trio, two angels look up, their heads tipped back. They have white halos and hold gold staffs.